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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.

Agnes Varda

But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing.
AGNES VARDA

Always Eating Even Nothing Vagabonds Way World
I tried to find images, allegorical images, that I could use to express things that I didn’t want to say or didn’t want to show or I was not able to find how to show.
AGNES VARDA

Able Allegorical Express Find Image Say Saying Show Thing Wanted
I go back to many films that I really love.
AGNES VARDA

Film Love Need Really Watches Year
I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDA

Beautiful Crazy Film Maybe Stopped Stupid Young
Nostalgia doesn’t make sense, because it’s like bringing the memories back to be a special part of my day or to be part of my week. And I’m inside my memories the same way I’m inside my everyday life.
AGNES VARDA

Bringing Everyday Memories Nostalgia Sense Special
Many filmmakers have made resurgent work, and I was just a little ahead of the time.
AGNES VARDA

Ahead Filmmaker Little Made Many Resurgent Time
I’m not nostalgic. My memories are back here in my mind.
AGNES VARDA

Back Memories Memory Mind Nostalgic
I was a photographer first.I worked alone. I did it my way as much as I could. I have been sort of courageous about doing things, because I didn’t think I should do less than my brothers.
AGNES VARDA

Alone Brother Courageous Much Photographer Thinking Way Worked
The film critics don’t know my artwork and the art world doesn’t know my films.
AGNES VARDA

Art Artwork Critic Film Know Time
I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
AGNES VARDA

Especially Filmmaking Saw Strong Woman
My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA

Call Cine Company Herb Hot Rosemary Speed Tamaris Water
The story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDA

Always Couple Cuple Especially Fragile More Over Strong Thirty Year
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA

Art Boundaries Cinema Contemporary Critics Film Rigid Unbelievable
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA

Dry Edit Les Make Minimum More Plage Refined Saying Square Use Way Well
My grandson says I’m punk.
AGNES VARDA

Call Grandson Nickname Punk

People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.

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People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.

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Popular Authors

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