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I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.

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Hands are the tool of the painter, the artist.
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Artist Hand Painter Tool
The film critics don’t know my artwork and the art world doesn’t know my films.
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I have to do something which relates with my time, and in my time, we make things differently.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
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I’m not nostalgic. My memories are back here in my mind.
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I wanted to speak strongly about feminism in my life, since it’s been a struggle.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
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I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
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I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.
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I’m trying to capture something more fragile than a regular story. I love what people bring me.
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If we opened people up, we’d find landscapes.
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I don’t watch my own films. There is little time; I’d rather see another film.
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I live in cinema. I feel I’ve lived here forever.
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I go back to many films that I really love.
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