My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA- I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
AGNES VARDA
- black
- grey
- blue
- red
- brown
- white
I hated myself totally white. So now I cheat. It’s my white hair, and I put color there.
More Agnes Varda Quotes
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
AGNES VARDA -
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDAYou know, an hour and fifty-four minutes is too much for audiences. They get nervous.
AGNES VARDA -
I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDAI don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
AGNES VARDA -
I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
AGNES VARDAI never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
AGNES VARDA -
We need to find another way or another shape or an allegory or something that tells us more.
AGNES VARDAWe need to find another way or another shape or an allegory or something that tells us more.
AGNES VARDA -
It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
AGNES VARDAIt’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
AGNES VARDA -
Society is so slow. A feminist is a bore.
AGNES VARDASociety is so slow. A feminist is a bore.
AGNES VARDA -
People think you are an orphan when you are a child, and don’t believe that old people can feel that they are orphans.
AGNES VARDA -
Humor is such a strong weapon, such a strong answer.
AGNES VARDAHumor is such a strong weapon, such a strong answer.
AGNES VARDA -
Many filmmakers have made resurgent work, and I was just a little ahead of the time.
AGNES VARDAMany filmmakers have made resurgent work, and I was just a little ahead of the time.
AGNES VARDA -
An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDAAn old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDA -
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA -
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDAI’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA -
I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDAI need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.
AGNES VARDA -
I don’t try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers.
AGNES VARDA -
I wanted to speak strongly about feminism in my life, since it’s been a struggle.
AGNES VARDAI wanted to speak strongly about feminism in my life, since it’s been a struggle.
AGNES VARDA


