Motherhood, in the sense of an intense, reciprocal relationship with a particular child, or children, is one part of female process; it is not an identity for all time.
ADRIENNE RICHThat a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
More Adrienne Rich Quotes
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A knowledge that is subliminal, subversive, preverbal: the knowledge flowing between two alike bodies, one of which has spent nine months inside the other.
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
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I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women’s movement is saying that we have come to an edge of history.
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I wanted him [my father] to cherish and approve of me, not as he had when I was a child, but as the woman I was, who had her own mind and had made her own choices.
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It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
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These scars bear witness but whether to repair or to destruction I no longer know.
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The worker can unionize, go out on strike; mothers are divided from each other in homes, tied to their children by compassionate bonds; our wildcat strikes have most often taken the form of physical or mental breakdown.
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The mind’s passion is all for singling out. Obscurity has another tale to tell.
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That a war can be represented as helping a people to ‘feel good’ about themselves, or their country, is a measure of that failure.
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Every poem breaks a silence that had to be overcome.
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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
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A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
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What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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We must use what we have to invent what we desire.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
ADRIENNE RICH