When my dreams showed signs of becoming politically correct no unruly images escaping beyond borders … then I began to wonder
ADRIENNE RICHSpaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
More Adrienne Rich Quotes
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There is no ‘the truth,’ ‘a truth’–truth is not one thing, or even a system. It is an increasing complexity.
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The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power.
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[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
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The truth of our bodies and our minds has been mystified to us. We therefore have primary obligation to each other: not to undermine each other’s sense of reality for the sake of expediency; not to gaslight each other.
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I began to feel heard in that movement. But it was because my voice was resonating with other voices.
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The assumption that women are a subgroup, that men’s culture is the ‘real’ world, that patriarchy is equivalent to culture and culture to patriarchy, that the ‘great’ or ‘liberalizing’ periods of history have been the same for women as for men.
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Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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Women have been driven mad, “gaslighted”, for centuries by the refutation of our experience and our instincts in a culture which validates only male experience.
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In [family snapshots] the flow of profane time has been stopped and a sacred interval of self-conscious revelation has been cut from it by the edge of the picture frame and the light of the sun or the flash.
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Can you remember? when we thought the poets taught how to live?
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I keep coming back to you in my head, but you couldn’t know that, and I have no carbons.
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When one woman tells her truth, it makes a space for other women to tell their truths.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
ADRIENNE RICH






