There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
ADRIENNE RICHThe moment when a feeling enters the body/ is political. This touch is political
More Adrienne Rich Quotes
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What would it mean to live in a city whose people were changing each other’s despair into hope?– You yourself must change it.
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Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
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Much male fear of feminism is the fear that, in becoming whole human beings, women will cease to mother men, to provide the breast, the lullaby, the continuous attention associated by the infant with the mother.
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Experience is always larger than language.
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
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I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines.
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“What do we want from each other/ after we have told our stories?” Where do we go to explore our stake with others in such a society?
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One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
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It’s exhilarating to be alive in a time of awakening consciousness; it can also be confusing, disorienting, and painful.
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The moment of change is the only poem.
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I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something – a great deal – to do with how we live our lives and whom we end up speaking with and hearing.
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In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
ADRIENNE RICH