“Show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.”

Only to have a grief equal to all these tears!

A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.

Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.

The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics.

Since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.

Can you remember? when we thought the poets taught how to live?

Women’s art, though created in solitude, wells up out of community.

Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.

It is the thirtieth of May, the thirtieth of November, a beginning or an end, we are moving into the solstice and there is so much here I still do not understand.

In order to live a fully human life we require not only control of our bodies (though control is a prerequisite); we must touch the unity and resonance of our physicality, our bond with the natural order, the corporeal grounds of our intelligence.

It is as though the risks of the poet’s existence can be put to some use beyond her own survival.

Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?

Passion for survival is the great theme of women’s poetry.

Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.

For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.

Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.

Symbols are powerful because they are the visible signs of invisible realities.

In the midst of winter, I find within me the invisible summer.

A man is not idle because he is absorbed in thought. There is visible labor and there is invisible labor.

Invisible threads are the strongest ties.

The soul takes flight to the world that is invisible but there arriving she is sure of bliss and forever dwells in paradise.

Setting goals is the first step in turning the invisible into the visible.

Like a shadow, I am and I am not.

The best way to destroy the bridge between the visible and invisible is by trying to explain your emotions.