And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
ADRIAN TOMINEI’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
More Adrian Tomine Quotes
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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I never go home and take out those business cards and go to those websites.
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But there are definitely pros and cons. You could also look at it as bringing in a more diverse crowd.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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I wanted to avoid doing what I thought people wanted me to do.
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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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