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I looked at Brief Encounter very closely, to be honest.

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It made me feel very old, really, because it wasn’t eccentric for its own sake, it was just very original.
ADRIAN GOSTICK

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It’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
ADRIAN GOSTICK

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What I think is interesting is that the more you do.
ADRIAN GOSTICK

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Somebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really.
ADRIAN GOSTICK

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I looked at Brief Encounter very closely, to be honest.
ADRIAN GOSTICK

Brief Closely Encounter Honest Looked
I’ve always been interested in films where you can identify with the actors.
ADRIAN GOSTICK

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You have to invent a book of rules of what you can do and what you can’t do.
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Especially living in the South of France.
ADRIAN GOSTICK

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I think you get better at staring into space.
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The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren’t cliche.
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I was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.
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I was speaking to Ridley Scott the other day and he makes a film every 18 months. He’s amazing really.
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Well, I think just the fact that you are making your first film is a huge step.
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I wanted to make a movie about the arbitrary nature of love.
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Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don’t know, I’ve always been intrigued by those emotions.
ADRIAN GOSTICK

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Well, Brief Encounter is certainly one of my top five favorites of all time.
ADRIAN GOSTICK

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