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Always, with any movie that I do, I have a book of ideas that I’ve heard, or seen, or whatever, and I always try to incorporate it in the film.

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I think that there are points where you become so close to an actor,
ADRIAN GOSTICK

Back Fool Get Make Prepared Usually
The danger is that if you have a bunch of ideas that you forget to use.
ADRIAN GOSTICK

Bunch Danger Forget Idea Use
Their every instinct – and I have to say this is without exception – is to iron out the bumps, and It’s always the bumps that are the most interesting stuff.
ADRIAN GOSTICK

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It made me feel very old, really, because it wasn’t eccentric for its own sake, it was just very original.
ADRIAN GOSTICK

Case Eccentric Feel Made Old Original Own
You have to invent a book of rules of what you can do and what you can’t do.
ADRIAN GOSTICK

Book Do Have Invent Rule
The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren’t cliche.
ADRIAN GOSTICK

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I looked at Brief Encounter very closely, to be honest.
ADRIAN GOSTICK

Brief Closely Encounter Honest Looked
Well, I think just the fact that you are making your first film is a huge step.
ADRIAN GOSTICK

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Well, Brief Encounter is certainly one of my top five favorites of all time.
ADRIAN GOSTICK

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Somebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really.
ADRIAN GOSTICK

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What I think is interesting is that the more you do.
ADRIAN GOSTICK

Book Do Interesting More Real Thinking
Where you can be in their shoes and therefore be more involved if they’re people that you recognize.
ADRIAN GOSTICK

Involved More People Recognize Shoe
I’ve always been interested in films where you can identify with the actors.
ADRIAN GOSTICK

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Foxes was a movie that didn’t do a lot of business but it didn’t do too badly critically and eventually they offered me other things.
ADRIAN GOSTICK

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Especially living in the South of France.
ADRIAN GOSTICK

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I was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.
ADRIAN GOSTICK

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The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
ADRIAN GOSTICK

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If you are prepared to make a fool of yourself for them then you usually get that back.
ADRIAN GOSTICK

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I wanted to make a movie about the arbitrary nature of love.
ADRIAN GOSTICK

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I think you get better at staring into space.
ADRIAN GOSTICK

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Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don’t know, I’ve always been intrigued by those emotions.
ADRIAN GOSTICK

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You know them so well, almost as well or better than their spouse. You have to know them, warts and all.
ADRIAN GOSTICK

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It’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
ADRIAN GOSTICK

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I was speaking to Ridley Scott the other day and he makes a film every 18 months. He’s amazing really.
ADRIAN GOSTICK

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Always, with any movie that I do, I have a book of ideas that I’ve heard, or seen, or whatever, and I always try to incorporate it in the film.
ADRIAN GOSTICK

Book Film Heard Idea Incorporate Movie Seen Trying Whatever
And the very real danger is that if your book of rules becomes a book of cliches.
ADRIAN GOSTICK

Book Cliches Danger Real Very

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