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And these are universal relational matters, not necessarily particular to any country.

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I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
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Exactly Experience Filmmaker Mystery Novelist Think Translate Work
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
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English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
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Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
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So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
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Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
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One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
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I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
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Even my editor at Melville House, who championed the project form the outset, told me she was surprised by the response. After this, editors began asking my opinion about which Latin American writers ought to be translated.
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Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
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An easy example would be the Portuguese escuridão:
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Country Escuridao Example
The transcendent aspect of the psychedelic experience is totally absent.
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Absent Aspect Experience Psychedelic Totally Transcendent
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
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Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
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When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
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Unless you count the political backdrop, which in any case is a familiar one to many international readers
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