The body is to be compared, not to a physical object, but rather to a work of art.
MAURICE MERLEAU PONTYSpeech is not a means in the service of an external end. It contains its own rule of usage, ethics, and view of the world, as a gesture sometimes bears the whole truth about a man.
More Maurice Merleau Ponty Quotes
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The sensate body possesses an art of interrogating the sensible according to its own wishes, an inspired exegesis.
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I discover vision, not as a ‘thinking about seeing,’ to use Descartes expression, but as a gaze at grips with a visible world, and that is why for me there can be another’s gaze.
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We must therefore rediscover, after the natural world, the social world, not as an object or sum of objects, but as a permanent field or dimension of existence.
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I will never know how you see red and you will never know how I see it. But this separation of consciousness is recognized only after a failure of communication, and our first movement is to believe in an undivided being between us.
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It is a great good fortune, as Stendhal said, for one “to have his passion as a profession.
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The world is the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not inhabit only the inner man, or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.
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Because we are in the world, we are condemned to meaning, and we cannot do or say anything without its acquiring a name in history.
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Language transcends us and yet we speak.
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Thinking which displaces, or otherwise defines, the sacred has been called atheistic, and that philosophy which does not place it here or there, like a thing, but at the joining of things and words, will always be exposed to this reproach without ever being touched by it.
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Socrates reminds us that it is not the same thing, but almost the opposite, to understand religion and to accept it.
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I am not in front of my body, I am in it or rather I am it… If we can still speak of interpretation in relation to the perception of one’s own body, we shall have to say that it interprets itself.
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Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense.
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We should be sensitive to the thread of silence from which the tissue of speech is woven.
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It is the essence of certainty to be established only with reservations.
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I may speak many languages, but there remains one in which I live.
MAURICE MERLEAU PONTY