If the British are a nation of shopkeepers, Americans are a nation of shoppers.
ADA LOUISE HUXTABLEEvery age cuts and pastes history to suit its own purposes; art always has an ax to grind.
More Ada Louise Huxtable Quotes
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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The skyscraper is the point where art and the city meet.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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A disaster where marble has been substituted for imagination.
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Clutter in its highest and most organized form is called collecting.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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Washington is an endless series of mock palaces clearly built for clerks.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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