“I want to make films that cater to the world audiences.”

I write poems, I meditate. I don’t live up to people’s expectations. I don’t do the conventional cool things – I know I am the coolest person.

I come from a middle class family, and my parents weren’t too supportive of my career choices.

Many people are insecure of many people.

Freedom of being alone is intoxicating.

Even when I was rebelling against my father, the point was to follow my own intuition and instinct.

Money can’t buy everything, but it can buy most of it. Because of money, I could give my parents a comfortable life.

It is important to give talent their due. And if celebrities are struggling with personal and mental health issues, the media should try and emphasize with them, rather than making it difficult for them.

I want to make films that cater to the world audiences.

Nature has a way of healing us and everything has a silver lining, we need to look for it!

Nobody was my support. You have to support yourself, and I think that is the beauty of being a woman. You can handle anything and be ten times better than men.

Ever since I was a child, I would start crying seeing anyone in pain.

There have been interviews with people saying they are jealous of Kangana. There are so many people who are jealous of my success.

A lot of my friends are getting married, but I don’t think that is what I need. I am under no such pressure that if everybody is having a boyfriend, I too should have one.

What people see is just your career graph and the films you do. But that’s a very small aspect of my life.

Relationships can be very traumatic. But being in a healthy relationship can be very empowering.

Value your health above everything.

When I talk to audiences about the size and age of the cosmos, people often say, “It makes me feel so insignificant.” I answer, “The bigger and more impersonal the universe is, the more meaningful you are, because this vast.

Plays by Alan Ayckbourn have been attracting larger audiences in the regional theatres than those of Shakespeare.

I don’t think it does the audience any good to know what I do to prepare.

Only two to three per cent of an audience is interested in words and pays attention to lyrics.

When you perform with a live audience, the audience comes back to you.

How can you get bored if the audience is cheering and laughing at something you’re doing?

Yet often, they know but just don’t care. So the task of serious journalism isn’t just to lay out truths. It is to make vital truths compelling to a big audience.

Or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?