“Every day, there’s that tension and the pressure. Each scene that you shoot is like getting to that next step, but there’s still that mountain to climb. So it’s not like one day is harder or one scene is harder. They are all equally challenging.”

I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.

I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film.

The poetic way of looking at it is which project is going to choose me as a director.

What really enthralls me is working with the actor and seeing where you can go with that. It’s in that exchange and that relationship.

My film (Black Venus) had been very emotionally draining and difficult because I had identified so much with the lead character, Saartjie Baartman.

The importance is getting to something truthful and in that moment can only be in that moment. I don’t like to use the word “improvise,” but it’s a continual writing of the film.

To use an image, making a film is like climbing a mountain or crossing an ocean. Every day has its challenges.

The writing of the script is a continual process. There’s the first draft and then many, many re-writes here and there.

This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval].

I didn’t really think in terms of clichés or non-clichés.

I grew up in and identify with and that she works and exists in.

When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.

I don’t come to work as an actor. There are many directors who can direct without ever having acted and do a great job and connect with their actors and lead them to excellent performances without themselves having had an acting background.

I will never, ever regret the things I’ve done. Because most days, all you have are places in your memory that you can go to.

I awoke one day to find myself famous.

I like kids’ work more than work by real artists any day.

Prepare a noble death song for the day when you go over the great divide.

The burden of poverty isn’t just that you don’t always have the things you need, it’s the feeling of being embarrassed every day of your life, and you’d do anything to lift that burden.

I am conscious that knowing me has caused you pain, and grief, and I hope that one day when you are less angry with me and less upset you will see not just that I could only have done the thing that I did, but also that this will help you live a really good life, a better life, than if you hadn’t met me.

I like working until the morning, so I can see the day and then I like to go to sleep and then get up before sunset. But I love the energy of the morning.

The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious