“This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval].”

I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.

I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film.

The poetic way of looking at it is which project is going to choose me as a director.

What really enthralls me is working with the actor and seeing where you can go with that. It’s in that exchange and that relationship.

My film (Black Venus) had been very emotionally draining and difficult because I had identified so much with the lead character, Saartjie Baartman.

The importance is getting to something truthful and in that moment can only be in that moment. I don’t like to use the word “improvise,” but it’s a continual writing of the film.

To use an image, making a film is like climbing a mountain or crossing an ocean. Every day has its challenges.

The writing of the script is a continual process. There’s the first draft and then many, many re-writes here and there.

I didn’t really think in terms of clichés or non-clichés.

I grew up in and identify with and that she works and exists in.

When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.

I don’t come to work as an actor. There are many directors who can direct without ever having acted and do a great job and connect with their actors and lead them to excellent performances without themselves having had an acting background.

Every day, there’s that tension and the pressure. Each scene that you shoot is like getting to that next step, but there’s still that mountain to climb. So it’s not like one day is harder or one scene is harder. They are all equally challenging.

I don’t get all this Speedo stuff actually, I mean, whatever happened to the feather boa?

This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.

Raoden turned to regard the large Dula. “What does it matter? It’s not like we have anything pressing to do. It’s actually quite pleasant up here-you should just sit back and enjoy it.”

I never actually thought I would be a real fighter, though. But I began to excel on the local circuit and I did well for myself.

I actually fought the idea for a while because it seemed almost too radical, but it became obvious what I was supposed to be doing.

That’s 270 million people with 206 bones each – will only be about 50 bones, one-quarter of a complete skeleton. That’s not to say, of course, that any of these bones will ever actually be found.

I like my smock. You can tell the quality of the artist by the quality of his smock. Actually, I just like to say smock. Smock smock smock smock smock smock.

The Denver Post has actually hired an editor to promote pot.