“The importance is getting to something truthful and in that moment can only be in that moment. I don’t like to use the word “improvise,” but it’s a continual writing of the film.”

I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.

I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film.

The poetic way of looking at it is which project is going to choose me as a director.

What really enthralls me is working with the actor and seeing where you can go with that. It’s in that exchange and that relationship.

My film (Black Venus) had been very emotionally draining and difficult because I had identified so much with the lead character, Saartjie Baartman.

To use an image, making a film is like climbing a mountain or crossing an ocean. Every day has its challenges.

The writing of the script is a continual process. There’s the first draft and then many, many re-writes here and there.

This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval].

I didn’t really think in terms of clichés or non-clichés.

I grew up in and identify with and that she works and exists in.

When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.

I don’t come to work as an actor. There are many directors who can direct without ever having acted and do a great job and connect with their actors and lead them to excellent performances without themselves having had an acting background.

Every day, there’s that tension and the pressure. Each scene that you shoot is like getting to that next step, but there’s still that mountain to climb. So it’s not like one day is harder or one scene is harder. They are all equally challenging.

What I am telling you is that you do not need to know to love, and it is right that you feel it all in any moment. And it is right that you see it through–that you are amazed, then curious, then belligerent, then heartbroken, then numb. You have the right to all of it.

Know that every breath is a miracle and every moment a blessing and you will achieve your dreams.

Your body is like a dew-drop on the morning grass, your life is as brief as a flash of lightning. Momentary and vain, it is lost in a moment.

The secret of living a full life is to be fully engaged, moment to moment, to have something in your life that engages you so that there’s nothing missing.

Kill them, turn back time to the moment before I had talked so that I could have another chance to save myself.

The standard progressive approach of the moment is to mix color-conscious moral invective with color-blind public policy.

For the moment all discipline seems painful rather than pleasant; later it yields the peaceful fruit of righteousness to those who have been trained by it.

So everyone has their moments and you kind of learn to respect people’s space when they’re not in a good mood.