“The importance is getting to something truthful and in that moment can only be in that moment. I don’t like to use the word “improvise,” but it’s a continual writing of the film.”

I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.

I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film.

The poetic way of looking at it is which project is going to choose me as a director.

What really enthralls me is working with the actor and seeing where you can go with that. It’s in that exchange and that relationship.

My film (Black Venus) had been very emotionally draining and difficult because I had identified so much with the lead character, Saartjie Baartman.

To use an image, making a film is like climbing a mountain or crossing an ocean. Every day has its challenges.

The writing of the script is a continual process. There’s the first draft and then many, many re-writes here and there.

This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval].

I didn’t really think in terms of clichés or non-clichés.

I grew up in and identify with and that she works and exists in.

When it comes time to make the scenes concrete and shoot them, I want the freedom for it to exist which means adding, subtracting or modifying.

I don’t come to work as an actor. There are many directors who can direct without ever having acted and do a great job and connect with their actors and lead them to excellent performances without themselves having had an acting background.

Every day, there’s that tension and the pressure. Each scene that you shoot is like getting to that next step, but there’s still that mountain to climb. So it’s not like one day is harder or one scene is harder. They are all equally challenging.

Miserable creatures, thrown for a moment on the surface of this little pile of mud, is it decreed that one half of the flock should be the persecutor of the other? Is it for you, mankind, to pronounce on what is good and what is evil?

How delightful are the pleasures of the imagination! In those delectable moments, the whole world is ours; not a single creature resists us.

How did you get in?” “i move in mysterious ways.” “god moves in mysterious ways. You move like lightening-here one moment, gone the next.

When I was not the cause of some chaos, a chaos of such proportions that it would provoke a general corruption or a distubance so formal that even after my death its effects would still be felt.

He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.

There are moments when the inner life actually ‘pays,’ when years of self-scrutiny, conducted for no ulterior motive, are suddenly of practical use.

All tedious research is worth one inspired moment.

What is the use trying to describe the flowing of a river at any one moment, and then at the next moment, and then at the next, and the next, and the next? You wear out. You say: There is a great river, and it flows through this land, and we have named it History.