In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTIWhen you look at art made by other people, you see what you need to see in it.
More Alberto Giacometti Quotes
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The form is always the measure of the obsession.
ALBERTO GIACOMETTI -
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
ALBERTO GIACOMETTI -
When you look at art made by other people, you see what you need to see in it.
ALBERTO GIACOMETTI -
If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
ALBERTO GIACOMETTI -
Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTI -
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
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In the past I have never thought about loneliness when working, and I don’t think about it now. Yet there must be a reason for the fact that so many people talk about it.
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At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
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All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
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I paint and sculpt to get a grip on reality… to protect myself.
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If we master a bit of drawing, everything else is possible.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI