“Musical beds is the faculty sport around here.”

When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.

The most profound indication of social malignancy no sense of humor. None of the monoliths could take a joke.

Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.

Being different is interesting; there’s nothing implicitly inferior or superior about it. Great difference, of course, produces natural caution; and if the differences are too extreme well, then, reality tends to fade away.

The responsibility of the writer is to be a sort of demonic social critic — to present the world and people in it as he sees it and say, “Do you like it? If you don’t like it, change it.

The function of art is to bring people into greater touch with reality, and yet our movie houses and family rooms are jammed with people after as much reality-removal as they can get.

That’s the happiest moment. When it’s all done. When we stop. When we can stop.

I created myself, and I’ll attack anybody I feel like.

Well, when you write about people of a certain age we are in a postsexual situation. If I write about younger people then I write sexually, because their drive is sexual. It depends upon the circumstances.

Anything you put in a play – any speech – has got to do one of two things: either define character or push the action of the play along.

Why we are here is an impenetrable question.

Sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly.

Maybe it’s a little more pertinent now since the whole concept of evolution is being questioned by the know-nothing Republican right. Yes, maybe the play’s a little more pertinent now.

The arts are the only things that separate us from the other animals. The arts are not decorative. They are essential to our comprehension of consciousness and ourselves.

One has always got to be terribly careful, since the theater is made up of a whole bunch of prima donnas, not to let the distortions occur.

Audiences and, to a large extent, critics who want less from theater than it is possible for it to give. If everybody’s encouraged to want less, you’ll end up with less.