Art should never try to be popular.
EDWARD ALBEEWriting has got to be an act of discovery, I write to find out what I’m thinking about.
More Edward Albee Quotes
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All serious art is being destroyed by commerce. Most people don’t want art to be disturbing. They want it to be escapist. I don’t think art should be escapist. That’s a waste of time.
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Why we are here is an impenetrable question.
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When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
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Death is release, if you’ve lived all right.
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I am pleased and reassured by the fact that a lot of younger playwrights seem to pay me some attention and gain some nourishment from what I do.
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You’re alive only once, as far as we know, and what could be worse than getting to the end of your life and realizing you hadn’t lived it?
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School curriculum that ignore the arts produce highly educated Barbarians.
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In a democracy you cannot stop public access to that art that will most misinform the people. You cannot stop people from being misinformed. But what you can do is to educate the people to the point that they will throw the rascals out.
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Good writers define reality; bad ones merely restate it.
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I created myself, and I’ll attack anybody I feel like.
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Influence is a matter of selection – both acceptance and rejection.
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A play is fiction and fiction is fact distilled into truth.
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First, I’ll kill the dog with kindness, and if that doesn’t work, I’ll just kill him.
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When a play enters my consciousness, is already a fairly well-developed fetus. I don’t put down a word until the play seems ready to be written.
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Sincerity doesn’t mean anything. A person can be sincere and be more destructive than a person who is insincere.
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Martha: Truth or illusion, George; you don’t know the difference. George: No, but we must carry on as though we did. Martha: Amen.
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One has always got to be terribly careful, since the theater is made up of a whole bunch of prima donnas, not to let the distortions occur.
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As a playwright, I imagine that in one fashion or another I’ve been influenced by every single play I’ve ever experienced.
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Audiences and, to a large extent, critics who want less from theater than it is possible for it to give. If everybody’s encouraged to want less, you’ll end up with less.
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What people really want in the theater is fantasy involvement and not reality involvement.
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Creativity is magic. Don’t examine it too closely.
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The characters’ lives have gone on before the moment you chose to have the action of the play begin. And their lives are going to go on after you have lowered the final curtain on the play, unless you’ve killed them off.
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Few sensible authors are happy discussing the creative process–it is, after all, black magic.
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Sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly.
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Very few people who met my adoptive mother in the last 20 years of her life could abide her, while many people who have seen my play find her fascinating. Heavens, what have I done?!
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A writer is a controlled schizophrenic.
EDWARD ALBEE