I’m not really afraid of the dark, except if I’m walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
VIN DIESELWhen I was a child actor, I had the fear that I was going to be cast as the tree.
More Vin Diesel Quotes
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You live these three months in this reality, in this dark reality, you don’t want to do those films every year because they’re taxing. I started smoking a lot of cigarettes.
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It’s like you have a child and you think, ‘Everything that I’ve done up until this point is insignificant in comparison to being a father.’ It’s a beautiful, beautiful thing.
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The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.
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Being male is a matter of birth. Being a man is a matter of age. But being a Gentleman is a matter of choice.
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The idea of exploring character relations and their development over a decade has to be appealing for any actor who cherishes his craft.
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I enjoy playing a quintessential antihero. There’s something therapeutic about playing such characters. I know it sounds corny but I feel like I learn about myself when I play that characters.
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I’m going to do my best to channel the character on a spiritual level.
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In Hollywood, I think I get a bad rap for being a perfectionist. It’s something that’s not always welcomed in Hollywood, because you’re always pushing people and you’re pushing yourself to be the best that you can be.
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I could care less about being an action actor like Stallone or Schwarzenegger.
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We’ve come a long way, from where we’ve been. I’ll tell you all about it when I see you again.
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If you think about my filmography, I have never done a movie that a kid could go see, except for Iron Giant, and I’m not even on the screen.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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Unfortunately, in Hollywood, there are those directors that have some contempt for actors. We’ve all experienced that, in one way or another.
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I started acting when I was seven-years-old. By the time I was 17 I would say: “If I’m not a star by the time I’m 18, I’ll get out of the business.”
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I always want another actor to shine in my scene because it makes the film stronger. I would encourage people to scene steal, because filmmaking is a collaborative effort.
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