“Yes, I tried to change the classical style in a way that people who don’t understand it can enjoy.”

From childhood, I had been instructed in the tablaa by my father, along with the astaais and antaraas specific to our Gharana.

People listened to Farsi texts, and to the great texts of our Baba Bulleh Shah, Khwaja Ghulam Farid, Mian Mohammad Bakhsh Jehlmi. People do listen to it these days, but much less than in those days.

As the times change, people change, and so do their tastes, so I try to understand what the public wants, what they require. I have tried to make the music a bit easier for them to understand.

I also like Western classical music and jazz.

You’ve got to sing from the depths of the heart. Without heart, you cannot be a Qawwal.

It is not necessary that the scion of a singing family, even if he sings, can excel in it. In order to reach his peak he has to work very, very hard.

When people start dancing, they dance like they don’t know they are doing it.

I do listen to other music though, and try to pick up what is good.

A man learns all his life and dies the day he thinks that he has learnt everything.

I am not a Sufi, but I follow the Sufi.

There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.

A performer learns with experience and with age. I did not know the future when I left home and started out to begin my career: I started qawaali; then I met Peter Gabriel and was exposed to a lot of new ideas.

There should be change – the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.

There is a famous musician, Peter Gabriel, who has used my voice in the movie, ‘The Last Temptation of Christ.’ He used my song in the background.

In my opinion, being an all-rounder is good. It is not right that I should be content with qawwali and ignore other forms, since I am basically trained in classical singing. We should be masters of all forms of singing.

My father gave me formal education in raagdari. He died in Lahore in 1964 when I was 13. I was in the tenth year of school, and my father’s brother took me into the qawwali ensemble and started giving me formal education in qawwali.

Travel isn’t always pretty. It isn’t always comfortable. Sometimes it hurts, it even breaks your heart. But that’s okay. The journey changes you; it should change you.

Change is scary when you too know you have been blind enough.

Don’t change who you are just to fit the insecurities of others.

Change alone is eternal, perpetual, immortal.

I accept the things I cannot change.

Healing is a process. Many are wondering what steps they can personally take today. Every action matters, big and small, in being an advocate for change.

I’ve been thinking lots about my body. it’s strange to watch yourself change so quickly.

Seasons change, With my heart along For the ride.