“My father gave me formal education in raagdari. He died in Lahore in 1964 when I was 13. I was in the tenth year of school, and my father’s brother took me into the qawwali ensemble and started giving me formal education in qawwali.”

I was just studying with my father, a very difficult task for me since he was a great, great Qawwali singer.

From childhood, I had been instructed in the tablaa by my father, along with the astaais and antaraas specific to our Gharana.

People listened to Farsi texts, and to the great texts of our Baba Bulleh Shah, Khwaja Ghulam Farid, Mian Mohammad Bakhsh Jehlmi. People do listen to it these days, but much less than in those days.

As the times change, people change, and so do their tastes, so I try to understand what the public wants, what they require. I have tried to make the music a bit easier for them to understand.

I also like Western classical music and jazz.

You’ve got to sing from the depths of the heart. Without heart, you cannot be a Qawwal.

It is not necessary that the scion of a singing family, even if he sings, can excel in it. In order to reach his peak he has to work very, very hard.

When people start dancing, they dance like they don’t know they are doing it.

Yes, I tried to change the classical style in a way that people who don’t understand it can enjoy.

I do listen to other music though, and try to pick up what is good.

A man learns all his life and dies the day he thinks that he has learnt everything.

I am not a Sufi, but I follow the Sufi.

There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.

A performer learns with experience and with age. I did not know the future when I left home and started out to begin my career: I started qawaali; then I met Peter Gabriel and was exposed to a lot of new ideas.

There should be change – the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.

There is a famous musician, Peter Gabriel, who has used my voice in the movie, ‘The Last Temptation of Christ.’ He used my song in the background.

My father was a film-maker. He always said he wanted to go like Humphrey Jennings, the legendary director who stepped backwards over a cliff while framing a better shot.

The only true infidelity is for a live man to vote himself dead.

Did I play my role well? If so, then applause, because the comedy is finished!

Faith, like a jackal, feeds among the tombs, and even from these dead doubts she gathers her most vital hope.

living for a high purpose is as honorable as dying for it.

My lady’s sparrow is dead, the sparrow which was my lady’s delight

Light confirms my reality, gives birth to my form…without light I am not only invisible but formless as well; and to be unaware of one’s form is to live a death…the truth is the light and light is the truth.

…women who ‘adjust’ as housewives, who grow up wanting to be ‘just a housewife,’ are in as much danger as the millions who walked to their own death in the concentration camps…they ate suffering a slow death of mind and spirit.