“From childhood, I had been instructed in the tablaa by my father, along with the astaais and antaraas specific to our Gharana.”

Yes, you’ve got to sing from the depths of the heart.

I like to experiment with my voice, besides music.

I was just studying with my father, a very difficult task for me since he was a great, great Qawwali singer.

People listened to Farsi texts, and to the great texts of our Baba Bulleh Shah, Khwaja Ghulam Farid, Mian Mohammad Bakhsh Jehlmi. People do listen to it these days, but much less than in those days.

As the times change, people change, and so do their tastes, so I try to understand what the public wants, what they require. I have tried to make the music a bit easier for them to understand.

I also like Western classical music and jazz.

You’ve got to sing from the depths of the heart. Without heart, you cannot be a Qawwal.

It is not necessary that the scion of a singing family, even if he sings, can excel in it. In order to reach his peak he has to work very, very hard.

When people start dancing, they dance like they don’t know they are doing it.

Yes, I tried to change the classical style in a way that people who don’t understand it can enjoy.

I do listen to other music though, and try to pick up what is good.

A man learns all his life and dies the day he thinks that he has learnt everything.

I am not a Sufi, but I follow the Sufi.

There are two languages that I love: Farsi and Panjabi. Because the depth of Sufi thought in these two languages cannot be found in any other language.

A performer learns with experience and with age. I did not know the future when I left home and started out to begin my career: I started qawaali; then I met Peter Gabriel and was exposed to a lot of new ideas.

There should be change – the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.

I had a really good childhood up until I was nine, then a classic case of divorce really affected me.

Music was an important part of my childhood.

Utopia exists only in one’s childhood life.

Sharing a moment with kids can often transport you back to your childhood.

Since I was a little girl there’s probably only been a handful of days I haven’t had a guitar in my hand at some point, even if only for just a minute.

Childhood decisions do not have to define you.

Growing old is unavoidable, but never growing up is possible. I believe you can retain certain things from your childhood if you protect them – certain traits, certain places where you don’t let the world go.

Everything is ceremony in the wild garden of childhood.