I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
CILLIAN MURPHYI think every director has a different methodology.
More Cillian Murphy Quotes
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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My wife can see always how a part affects me personally because she has to live with it.
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I don’t have a burning passion to live in America per se but I would certainly like to work there.
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It’s always nice to be challenged.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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I’m not interested in a good man’s life. I’m interested in contradiction.
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You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
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It was very much about performances, the whole ensemble thing was just great – everybody working together. Sometimes it didn’t feel like a film set. It wasn’t technically driven, it was very, very enjoyable.
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Every Irish person of my generation and earlier, we were raised Catholic and we’d have to learn it in school, we’d to learn the catechism by rote.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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I’m interested in pressure, I’m interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
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I think if you play characters, it’s very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
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I think every director has a different methodology.
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I will always love film, the romance of film, sitting in the darkened room with strangers and watching a story for two hours – that will always remain and never be eroded by television.
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I’m pretty adamant to do an American accent because you get it immediately.
CILLIAN MURPHY