“All my movies are achingly personal.”

I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It’s all language, it’s all communication.

I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you’re not that good. You just reached the level here. I don’t ever want to fail, but I want to risk failure every time out of the gate.

I’m basically like, you know, learned pretty quickly the guy who throws the first punch usually wins, so when people gave me a hard time I just punched them.

One can be inclined to just say, “F this political correctness! I don’t have time for that!”

I am not going to tell you how I believe, but I do believe in God.

There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.

I’m very happy with the way I write. I think I do it good. But I’ve never really considered myself a writer.

You name any horrific thing, and I can make a joke out of it.

If there is something magic about the collaborations I have with actors it’s because I put the character first.

That’s how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.

Emotion will always win over coolness and cleverness. It’s when a scene works emotionally and it’s cool and clever, then it’s great. That’s what you want.

Dogs got personality. Personality goes a long way.

If I’ve made it a little easier for artists to work in violence, great! I’ve accomplished something.

When I make a movie, I want it to be everything to me; like I would die for it.

Just because you are a character doesn’t mean you have character.

You can’t write poetry on the computer.