We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.
The main thing, of course, always, is the fact that there is only one of you in the world, just one, and if that is not fulfilled then something has been lost. Ambition is not enough; necessity is everything.
You have no right to go before a public without an adequate technique, just because you feel. Anything feels – a leaf feels, a storm feels – what right have you to do that? You have to have speech, and it’s a cultivated speech.
I have spent all my life with dance and being a dancer. It’s permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.
I believe that we learn by practice… it is the performance of a dedicated precise set of acts, physical or intellectual, from which come shape of achievement, a sense of one’s being, a satisfaction of spirit.
Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer’s art is lived while he is dancing. Nothing is left of his art except the pictures and the memories–when his dancing days are over.
