I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
KAZUO ISHIGUROMany of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
More Kazuo Ishiguro Quotes
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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All children have to be deceived if they are to grow up without trauma.
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The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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There was another life that I might have had, but I am having this one.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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An artist’s concern is to capture beauty wherever he finds it.
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What is pertinent is the calmness of that beauty, its sense of restraint.
KAZUO ISHIGURO