I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
KAZUO ISHIGUROI grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
More Kazuo Ishiguro Quotes
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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There was another life that I might have had, but I am having this one.
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
KAZUO ISHIGURO






