You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGUROI grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
More Kazuo Ishiguro Quotes
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
KAZUO ISHIGURO -
I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
KAZUO ISHIGURO -
We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
KAZUO ISHIGURO -
Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
KAZUO ISHIGURO -
If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
KAZUO ISHIGURO -
It is one of the enjoyments of retirement that you are able to drift through the day at your own pace, easy in the knowledge that you have put hard work and achievement behind you.
KAZUO ISHIGURO -
My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
KAZUO ISHIGURO -
Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
KAZUO ISHIGURO -
I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO -
Now naturally, like many of us, I have a reluctance to change too much of the old ways.
KAZUO ISHIGURO -
There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
KAZUO ISHIGURO -
I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
KAZUO ISHIGURO -
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
KAZUO ISHIGURO -
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGURO -
Don’t you wonder sometimes, what might have happened if you tried?
KAZUO ISHIGURO