I like novelists who can create other interesting worlds.
KAZUO ISHIGUROTypically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
More Kazuo Ishiguro Quotes
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It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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I want my words to survive translation.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
KAZUO ISHIGURO






