I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
KAZUO ISHIGUROI discovered that my imagination came alive when I moved away from the immediate world around me.
More Kazuo Ishiguro Quotes
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There was another life that I might have had, but I am having this one.
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When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
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To see the best before I have properly begun would be somewhat premature.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
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There comes a point when you can more or less count the number of books you’re going to write before you die.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I like novelists who can create other interesting worlds.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
KAZUO ISHIGURO