I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
KAZUO ISHIGUROWe took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
More Kazuo Ishiguro Quotes
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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She always wanted to believe in things.
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There was another life that I might have had, but I am having this one.
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The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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An artist’s concern is to capture beauty wherever he finds it.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that’s vanished – the England of my childhood has actually disappeared.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
KAZUO ISHIGURO