You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGUROWe took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
More Kazuo Ishiguro Quotes
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One is not struck by the truth until prompted quite accidentally by some external event.
KAZUO ISHIGURO -
What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
KAZUO ISHIGURO -
You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
KAZUO ISHIGURO -
You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
KAZUO ISHIGURO -
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
KAZUO ISHIGURO -
It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
KAZUO ISHIGURO -
What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
KAZUO ISHIGURO -
I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
KAZUO ISHIGURO -
I discovered that my imagination came alive when I moved away from the immediate world around me.
KAZUO ISHIGURO -
The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
KAZUO ISHIGURO -
I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO -
After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
KAZUO ISHIGURO -
There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
KAZUO ISHIGURO -
Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
KAZUO ISHIGURO -
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGURO






