We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
VERA WANGIt’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
More Vera Wang Quotes
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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The key is falling in love with something, anything. If your heart’s attached to it, then your mind will be attached to it.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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Ready-to-wear is what I’ve wanted to do since the beginning. I’m not a girl who spends my life in a ballgown
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I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
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It’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
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It takes tremendous will to compete in any athletic endeavor, so it meant going to bed early and getting my homework done in advance. I had to sacrifice things, like a social life, to be a skater at 15. But I loved skating so much that it was worth everything to me.
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There was no relationship between a wedding dress and fashion. There was no good taste, either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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The intricate engraving, fine lines, beading and milgrain accents echo an era defined by elaborate embellishments.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don’t often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
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Is she going to, or has she done it? Has it happened? What is the story here?
VERA WANG






