Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
VERA WANGI was a total fashion insider who became an outsider when I did bridal.
More Vera Wang Quotes
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
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People get very trapped where they are. When they hear ‘fashion’ they get intimidated, particularly at the upper end because it’s so elitist.
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It’s hard to juggle being a businessperson with being a creative person. You have to organize yourself – PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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Let’s be realistic, how many people are buying a $2,000 skirt? I love to design things that people can actually buy. I’m staggered by what a boot costs today.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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All those years of skating and dancing have carried over. I can’t design anything without thinking of how a woman’s body will look and move when she’s wearing it.
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They never ask the celebrities why they don’t wear their own clothes on the red carpet.
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My normal routine is pretty much putting out fires all day.
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When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
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