Is she going to, or has she done it? Has it happened? What is the story here?
VERA WANGI see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
More Vera Wang Quotes
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I’ve always tried to push myself technically and to push myself visually. That’s been part of the journey.
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The way a dancer can bring the crowd to its feet with a drawn-out, well-executed pirouette is the excitement I wanted to capture with this design.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
VERA WANG -
We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I always see where I didn’t do things the right way. I only see the heavy lifting. That’s a bit of my wisdom, if you want to call it that.
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To me, eyewear goes way beyond being a prescription. It’s like makeup. It’s the most incredible accessory. The shape of a frame or the color of lenses can change your whole appearance.
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In the dream world of Matisse and the gritty reality of American frontier, the diversity of women in our society offers the chance for greater exploration and even greater inspiration.
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When I decided to get married at 40, I couldn’t find a dress with the modernity or sophistication I wanted. That’s when I saw the opportunity for a wedding gown business.
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In the end, it’s not about failure, it’s about how much you love what you do.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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I don’t live through my kids. But I do know what will happen in life, and I just want them well prepared.
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My bedroom is my sanctuary. It’s like a refuge, and it’s where I do a fair amount of designing – at least conceptually, if not literally.
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I see myself as an arbiter of taste.
VERA WANG