New York for me is about work. If L.A. were to become a West Coast version of that, I’d shoot myself. The climate, the lifestyle – it really fits as the yin to my New York yang.
VERA WANGDesign is about point of view, and there should be some sort of woman or lifestyle or attitude in one’s head as a designer.
More Vera Wang Quotes
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I don’t live through my kids. But I do know what will happen in life, and I just want them well prepared.
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In the end, it’s not about failure, it’s about how much you love what you do.
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I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.
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It’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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I was struggling to find a way to make evening clothes more deconstructed. I like to think that I translated the Latin concept in a more modern way. I don’t think that I was that literal.
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A woman is never sexier than when she is comfortable in her clothes.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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When you love something, every day goes by in 10 minutes.
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I always see where I didn’t do things the right way. I only see the heavy lifting. That’s a bit of my wisdom, if you want to call it that.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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The intricate engraving, fine lines, beading and milgrain accents echo an era defined by elaborate embellishments.
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Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.
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