It’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
VERA WANGBrides today are increasingly sensitive to the tastes, feelings and finances of their attendants.
More Vera Wang Quotes
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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When you love something, every day goes by in 10 minutes.
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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New York for me is about work. If L.A. were to become a West Coast version of that, I’d shoot myself. The climate, the lifestyle – it really fits as the yin to my New York yang.
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As the mother of two daughters, I have great respect for women. And I don’t ever want to lose that.
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I wanted to breathe new life into the timeless trend of past, present and future. These unique designs celebrate the bride and groom’s passage through their new life together.
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I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes – where a woman’s personality and sense of style are realized.
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Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.
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All those years of skating and dancing have carried over. I can’t design anything without thinking of how a woman’s body will look and move when she’s wearing it.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don’t often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
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