All the details of the life and the quirks and the friendships can be laid out for us, but the mystery of the writing will remain. No amount of documentation, however fascinating, can take us there.
V.S. NAIPAULMost people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.
More V.S. Naipaul Quotes
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A civilization which has taken over the world cannot be said to be dying.
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I will say I am the sum of my books.
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Everybody is interesting for an hour, but few people can last more than two.
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I still think it’s really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
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I read a piece of writing and within a paragraph or two I know whether it is by a woman or not.
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All the things that were read to me by my father were stories about things becoming all right.
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To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn’t know that somehow in the past I had written a book, I would have given up.
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother’s house. All children, I suppose, come into the world like that, not knowing who they are.
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It’s very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing. If you begin from the point of view of being a victim, you’ve got it half-made. I mean intellectually.
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It has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say ‘my ancestral culture does not exist, it doesn’t matter’.
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Argentine political life is like the life of an ant community or an African forest tribe: full of events, full of crisis and deaths, but life is always cyclical, and the year ends as it begins.
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It was a good place for getting lost in, a city no one ever knew, a city explored from the neutral heart outward, until after many years, it defined itself into a jumble of clearings separated by stretches of the unknown, through which the narrowest of paths had been cut.
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I’m my own writer. My material means I’m entirely separate.
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I’m thought to be a tough writer, but I’m really a softie.
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Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it.
V.S. NAIPAUL