I still think it’s really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
V.S. NAIPAULOne isn’t born one’s self. One is born with a mass of expectations, a mass of other people’s ideas – and you have to work through it all.
More V.S. Naipaul Quotes
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This is unusual for me. I have given readings and not lectures. I have told people who ask for lectures that I have no lecture to give. And that is true.
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Judgment is contained in the act of trying to understand.
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An autobiography can distort; facts can be realigned. But fiction never lies: it reveals the writer totally.
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I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
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I am the kind of writer that people think other people are reading.
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My life is short. I can’t listen to banality.
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The Europeans wanted gold and slaves, like everybody else; but at the same time they wanted statues put up to themselves as people who had done good things for the slaves.
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The past has to be seen to be dead; or the past will kill.
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Some writers can only deal with childhood experience, because it’s complete. For another kind of writer, life goes on, and he’s able to keep processing that as well.
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It is wrong to have an ideal view of the world. That’s where the mischief starts. That’s where everything starts unravelling.
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Small things start us in new ways of thinking.
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You need someone to see what you’ve done, to read it and to understand it and to appreciate what’s gone into it.
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You can’t deny what you’ve learned; you can’t deny your travels; you can’t deny the nature of your life.
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One isn’t born one’s self. One is born with a mass of expectations, a mass of other people’s ideas – and you have to work through it all.
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother’s house. All children, I suppose, come into the world like that, not knowing who they are.
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We cannot understand all the traits we have inherited. Sometimes we can be strangers to ourselves.
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It was a good place for getting lost in, a city no one ever knew, a city explored from the neutral heart outward, until after many years, it defined itself into a jumble of clearings separated by stretches of the unknown, through which the narrowest of paths had been cut.
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Life is a helluva thing. You can see trouble coming and you can’t do a damn thing to prevent it coming. You just got to sit and watch and wait.
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Making a book is such a big enterprise.
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It’s very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing. If you begin from the point of view of being a victim, you’ve got it half-made. I mean intellectually.
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All the details of the life and the quirks and the friendships can be laid out for us, but the mystery of the writing will remain. No amount of documentation, however fascinating, can take us there.
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When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
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I profoundly feel that people are letting you down all the time.
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I read a piece of writing and within a paragraph or two I know whether it is by a woman or not.
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It isn’t that there’s no right and wrong here. There’s no right.
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I’ve never abandoned the novel.
V.S. NAIPAUL