I’ve never abandoned the novel.
V.S. NAIPAULIt is wrong to have an ideal view of the world. That’s where the mischief starts. That’s where everything starts unravelling.
More V.S. Naipaul Quotes
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Everybody is interesting for an hour, but few people can last more than two.
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After all, we make ourselves according to the ideas we have of our possibilities.
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And it was strange, I thought, that sorrow lasts and can make a man look forward to death, but the mood of victory fills a moment and then is over.
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The past has to be seen to be dead; or the past will kill.
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You need someone to see what you’ve done, to read it and to understand it and to appreciate what’s gone into it.
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It isn’t that there’s no right and wrong here. There’s no right.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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I could meet dreadful people and end up seeing the world through their eyes, seeing their frailties, their needs.
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The reason is that they define how I have gone about my business. I have trusted to intuition. I did it at the beginning. I do it even now. I have no idea how things might turn out, where in my writing I might go next.
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If a writer doesn’t generate hostility, he is dead.
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There are two ways of talking. One is the easy way, where you talk lightly, and the other one is the considered way. The considered way is what I have put my name to.
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The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.
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Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it.
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I profoundly feel that people are letting you down all the time.
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Most people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.
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I will say I am the sum of my books.
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My life is short. I can’t listen to banality.
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I’m thought to be a tough writer, but I’m really a softie.
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That element of surprise is what I look for when I am writing. It is my way of judging what I am doing – which is never an easy thing to do.
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One always writes comedy at the moment of deepest hysteria.
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The ancillary aspect of every British city now is the council estate.
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It has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say ‘my ancestral culture does not exist, it doesn’t matter’.
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The Europeans wanted gold and slaves, like everybody else; but at the same time they wanted statues put up to themselves as people who had done good things for the slaves.
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If writers just sit and talk about oppression, they are not going to do much writing.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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I don’t feel I can speak with authority for many other people.
V.S. NAIPAUL