I’m my own writer. My material means I’m entirely separate.
V.S. NAIPAULI’m my own writer. My material means I’m entirely separate.
More V.S. Naipaul Quotes
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I feel that at any stage of my literary career it could have been said that the last book contained all the others.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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If writers just sit and talk about oppression, they are not going to do much writing.
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I became very interested in the Islamic question, and thought I would try to understand it from the roots, ask very simple questions and somehow make a narrative of that discovery.
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Whatever extra there is in me at any given moment isn’t fully formed. I am hardly aware of it; it awaits the next book. It will – with luck – come to me during the actual writing, and it will take me by surprise
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Some writers can only deal with childhood experience, because it’s complete. For another kind of writer, life goes on, and he’s able to keep processing that as well.
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Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it.
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It’s very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing. If you begin from the point of view of being a victim, you’ve got it half-made. I mean intellectually.
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In a way my reputation has become that of the curmudgeon.
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That element of surprise is what I look for when I am writing. It is my way of judging what I am doing – which is never an easy thing to do.
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The Europeans wanted gold and slaves, like everybody else; but at the same time they wanted statues put up to themselves as people who had done good things for the slaves.
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There are two ways of talking. One is the easy way, where you talk lightly, and the other one is the considered way. The considered way is what I have put my name to.
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The writer is all alone.
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If a writer doesn’t generate hostility, he is dead.
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The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.
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It is wrong to have an ideal view of the world. That’s where the mischief starts. That’s where everything starts unravelling.
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I’ve never abandoned the novel.
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In the beginning, before the arrival of the white men, I had considered myself neutral. I had wanted neither side to win, neither the army nor the rebels. As it turned out, both sides lost.
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This is unusual for me. I have given readings and not lectures. I have told people who ask for lectures that I have no lecture to give. And that is true.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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Most people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.
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I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
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The family feuds or the village feuds often had to do with an idea of honor. Perhaps it was a peasant idea; perhaps this idea of honor is especially important to a society without recourse to law or without confidence in law.
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One always writes comedy at the moment of deepest hysteria.
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I will say I am the sum of my books.
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To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn’t know that somehow in the past I had written a book, I would have given up.
V.S. NAIPAUL