Making a book is such a big enterprise.
V.S. NAIPAULTo this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn’t know that somehow in the past I had written a book, I would have given up.
More V.S. Naipaul Quotes
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All the things that were read to me by my father were stories about things becoming all right.
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If writers just sit and talk about oppression, they are not going to do much writing.
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To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn’t know that somehow in the past I had written a book, I would have given up.
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The world is always in movement.
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The writer is all alone.
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You can’t deny what you’ve learned; you can’t deny your travels; you can’t deny the nature of your life.
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If ever you wish to meet intellectual frauds in quantity, go to Paris.
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Judgment is contained in the act of trying to understand.
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Writing has to support itself.
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Ignorant people in preppy clothes are more dangerous to America than oil embargoes.
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I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
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I became very interested in the Islamic question, and thought I would try to understand it from the roots, ask very simple questions and somehow make a narrative of that discovery.
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I still think it’s really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
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In the beginning, before the arrival of the white men, I had considered myself neutral. I had wanted neither side to win, neither the army nor the rebels. As it turned out, both sides lost.
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It isn’t that there’s no right and wrong here. There’s no right.
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All cultures have been mingled forever.
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I have trusted to my intuition to find the subjects, and I have written intuitively. I have an idea when I start, I have a shape; but I will fully understand what I have written only after some years.
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All the details of the life and the quirks and the friendships can be laid out for us, but the mystery of the writing will remain. No amount of documentation, however fascinating, can take us there.
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I don’t feel I can speak with authority for many other people.
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In England people are very proud of being very stupid.
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The only lies for which we are truly punished are those we tell ourselves.
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It’s very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing. If you begin from the point of view of being a victim, you’ve got it half-made. I mean intellectually.
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Each book, intuitively sensed and, in the case of fiction, intuitively worked out, stands on what has gone before, and grows out of it.
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And it was strange, I thought, that sorrow lasts and can make a man look forward to death, but the mood of victory fills a moment and then is over.
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It has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say ‘my ancestral culture does not exist, it doesn’t matter’.
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Some writers can only deal with childhood experience, because it’s complete. For another kind of writer, life goes on, and he’s able to keep processing that as well.
V.S. NAIPAUL