The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious
UTA HAGENWe had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
More Uta Hagen Quotes
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Usually, someone who’s in a show gets me a ticket. I feel cornered. I can’t walk out if I don’t like it.
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I’m a bad liar; I don’t know what to say backstage.
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We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
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It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
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We must overcome the notion that we must be regular… it robs you of the chance to be extraordinary and leads you to the mediocre.
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To rebel or revolt against the status quo is in the very nature of an artist.
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Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
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I love playing Chekhov. That’s the hardest; that’s why I love it most.
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All tedious research is worth one inspired moment.
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no work of art is ever finished, nothing is ever static, no performance is for keeps.
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We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
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Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
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Maybe the one I enjoyed playing most was A Month in the Country.
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The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN