Marlon was so sensitive, you thought the poor guy just had a bad education.
UTA HAGENMarlon was so sensitive, you thought the poor guy just had a bad education.
More Uta Hagen Quotes
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Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
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no work of art is ever finished, nothing is ever static, no performance is for keeps.
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
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For some strange reason, we believe that anyone who lived before we were born was in some peculiar way a different kind of human being from any we have come in contact with in our own lifetime.
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I’m a bad liar; I don’t know what to say backstage.
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Maybe the one I enjoyed playing most was A Month in the Country.
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The need to be loved and protected is at a peak when we feel abandoned and are particularly vulnerable to difficult circumstances.
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To rebel or revolt against the status quo is in the very nature of an artist.
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Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
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We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
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One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
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Usually, someone who’s in a show gets me a ticket. I feel cornered. I can’t walk out if I don’t like it.
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This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
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Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
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It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
UTA HAGEN