The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGENno work of art is ever finished, nothing is ever static, no performance is for keeps.
More Uta Hagen Quotes
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We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
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I love playing Chekhov. That’s the hardest; that’s why I love it most.
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no work of art is ever finished, nothing is ever static, no performance is for keeps.
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For some strange reason, we believe that anyone who lived before we were born was in some peculiar way a different kind of human being from any we have come in contact with in our own lifetime.
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
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I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
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If you want a bourgeois existence, you shouldn’t be an actor. You’re in the wrong profession.
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One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
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We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
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Maybe the one I enjoyed playing most was A Month in the Country.
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Keep pace with the present. Take a trip to the moon. envision the future.
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Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
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The need to be loved and protected is at a peak when we feel abandoned and are particularly vulnerable to difficult circumstances.
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All tedious research is worth one inspired moment.
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Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
UTA HAGEN






