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Keep pace with the present. Take a trip to the moon. envision the future.

Uta Hagen

no work of art is ever finished, nothing is ever static, no performance is for keeps.
UTA HAGEN

Art Ever Finish Keep Performance Static Work
We must overcome the notion that we must be regular… it robs you of the chance to be extraordinary and leads you to the mediocre.
UTA HAGEN

Chance Elad Extraordinary Mediocre Must Notion Overcome Regular Rob
Keep pace with the present. Take a trip to the moon. envision the future.
UTA HAGEN

Envision Future Keep Moon Pace Present Take Trip
The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious
UTA HAGEN

Day Every Higher Knowledge Learn Make More Other Rach Something
Awards don’t really mean much.
UTA HAGEN

Award Mean Much Really
Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
UTA HAGEN

Ability Country Democracy Dependent Dissent Dogma Philosopher Prescribe Since Time
To rebel or revolt against the status quo is in the very nature of an artist.
UTA HAGEN

Against Artist Natural Quo Rebel Revolt Status
One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
UTA HAGEN

Any Demand One Other Satisfaction Way Work
Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
UTA HAGEN

Country Fun Like Match Tennis Together Unbelievable Work
We were not allowed to say, Screw, but we could say, Hump the hostess, because hump is in Shakespeare.
UTA HAGEN

Allow Author Hostess Hump Say Screw
Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
UTA HAGEN

Event Happen Human Make Man One Stage Theatre Very While
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN

Actor Character Dexterity Effortless Instrument Same Since
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
UTA HAGEN

Amalgam Equipment High Sensitivity Sensory Talent Vivid Vulnerability
It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
UTA HAGEN

Colleague Disciple Freeze Interpretation Must Note Often Stuck Thinker Trend Work
I love playing Chekhov. That’s the hardest; that’s why I love it most.
UTA HAGEN

Chekhov Hardest Love Ost Play
All tedious research is worth one inspired moment.
UTA HAGEN

Inspire Moment One Worth

Keep pace with the present. Take a trip to the moon. envision the future.

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Keep pace with the present. Take a trip to the moon. envision the future.

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