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First sentences are doors to worlds.

Ursula K. Le Guin

I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.
URSULA K. LE GUIN

Alternative Come Fear Hard See Society Stricken Think Through Time Voice Want Will Writer
Nobody who says, ‘I told you so’ has ever been, or will ever be, a hero.
URSULA K. LE GUIN

Been Ever Hero Nobody Say Told
Capitalism’s grow-or-die imperative stands radically at odds with ecology’s imperative of interdependence and limit.
URSULA K. LE GUIN

Capitalism Die Growth Imperative Interdependence Limit Odd Radical Stand
What is the use trying to describe the flowing of a river at any one moment, and then at the next moment, and then at the next, and the next, and the next? You wear out. You say: There is a great river, and it flows through this land, and we have named it History.
URSULA K. LE GUIN

Describe Flow Moment Next One River Try Use
Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight.
URSULA K. LE GUIN

Delight Freedom Use Way Winter Word
Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
URSULA K. LE GUIN

Artist Banality Evil Intellectual Interest Pain Refusal Terrible Treason
To claim power over what you do not understand is not wise, nor is the end of it likely to be good.
URSULA K. LE GUIN

Claim End Good Likely Over Power Understand Wise
We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
URSULA K. LE GUIN

Experience Human Mountain Truth Volcano Women
The misogyny that shapes every aspect of our civilization is the institutionalized form of male fear and hatred of what they have denied and therefore cannot know, cannot share: that wild country, the being of women.
URSULA K. LE GUIN

Aspect Civilization Denied Fear Form Institutionalize Know Male Misogyny Shape
A panda walks into a tea room and ordered a salad and ate it. Then it pulled out a pistol, shot the man in the next table dead, and walked out.
URSULA K. LE GUIN

Ate Dead Man Next Order Out Panda Pistol Pull Room Salad Shot Table Tea Walk
All makers must leave room for the acts of the spirit. But they have to work hard and carefully, and wait patiently, to deserve them.
URSULA K. LE GUIN

All Carefully Deserve Leave Maker Patiently Spirit
The end justifies the means. But what if there never is an end? All we have is means.
URSULA K. LE GUIN

End Justice Mean never
Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.
URSULA K. LE GUIN

Fantasy Height Realistic Reality Surrealistic Traditional
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
URSULA K. LE GUIN

Come Intolerable Make Only Permanent Possible Uncertainty
What sane person could live in this world and not be crazy?
URSULA K. LE GUIN

Crazy Live Person Sane World
What good is music? None … and that is the point. To the world and its states and armies and factories and Leaders, music says, ‘You are irrelevant’; and, arrogant and gentle as a god, to the suffering man it says only, ‘
URSULA K. LE GUIN

Amies Arrogant Factory Good Irrelevant Leader Music None Point State World

First sentences are doors to worlds.

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First sentences are doors to worlds.

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