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Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.

Ursula K. Le Guin

We live in capitalism, its power seems inescapable – but then, so did the divine right of kings.
URSULA K. LE GUIN

Capitalism Inescapable King Live Power Right Seem
What is the other text, the original? I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat… where in this metaphor they die and get canned and eaten in sandwiches.
URSULA K. LE GUIN

Answer Canned Catch Eaten Metaphor Original Source Suppose Swing Word
As a kitten does what all other kittens do, so a child wants to do what other children do, with a wanting that is as powerful as it is mindless. Since we human beings have to learn what we do, we have to start out that way, but human mindfulness begins where that wish to be the same leaves off.
URSULA K. LE GUIN

Child Children Do Kitten Mindless Other Powerful Want
Those who build walls are their own prisoners.
URSULA K. LE GUIN

Build Own Prisoner Wall
Take the tale in your teeth, then, and bite till the blood runs, hoping it’s not poison.
URSULA K. LE GUIN

Blood Hope Poison Run Take Tale Teeth
The worst walls are never the ones you find in your way. The worst walls are the ones you put there .
URSULA K. LE GUIN

Find never One Put Wall Way Wost
A panda walks into a tea room and ordered a salad and ate it. Then it pulled out a pistol, shot the man in the next table dead, and walked out.
URSULA K. LE GUIN

Ate Dead Man Next Order Out Panda Pistol Pull Room Salad Shot Table Tea Walk
We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.
URSULA K. LE GUIN

Adapt Appetite Control Destroy Fast Ourselves Violence World
All makers must leave room for the acts of the spirit. But they have to work hard and carefully, and wait patiently, to deserve them.
URSULA K. LE GUIN

All Carefully Deserve Leave Maker Patiently Spirit
Success is somebody else’s failure.
URSULA K. LE GUIN

Else Failure Somebody Success
Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.
URSULA K. LE GUIN

Artist Banality Evil Intellectual Interest Pain Refusal Terrible Treason
To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
URSULA K. LE GUIN

Fiction Frfinition Imagination Imitation Invention Realistic Superior Think
Grieving, like being blind, is a strange business; you have to learn how to do it. We seek company in mourning, but after the early bursts of tears, after the praises have been spoken, and the good days remembered, and the lament cried, and the grave closed, there is no company in grief. It is a burden borne alone.
URSULA K. LE GUIN

Being Blind Business Grieving Learn Strange
Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer’s first duty is to use language well.
URSULA K. LE GUIN

Best Breed Careless Grammarly Language Morality Stupidity Truth Writer
Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy?
URSULA K. LE GUIN

Function Galaxy Machine Purpose Thing Universe Useful
The reason literacy is important is that literature is the operating instructions. The best manual we have. The most useful guide to the country we’re visiting, life.
URSULA K. LE GUIN

Best Country Guide Instruction Life Literature Manual Oprtae Visit

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.

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Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.

Related Topics

Popular Authors

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