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Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.

Ursula K. Le Guin

A writer is a person who cares what words mean, what they say, how they say it… By using words well they strengthen their souls.
URSULA K. LE GUIN

Care Mena Say Soul Strengthen Use Well Word Writer
I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.
URSULA K. LE GUIN

Alternative Come Fear Hard See Society Stricken Think Through Time Voice Want Will Writer
Life goes on, even if two-headed and glowing faintly in the dark.
URSULA K. LE GUIN

Dark Even Fainty Glow Goes Headed Life Two
Success is somebody else’s failure.
URSULA K. LE GUIN

Else Failure Somebody Success
What good is music? None … and that is the point. To the world and its states and armies and factories and Leaders, music says, ‘You are irrelevant’; and, arrogant and gentle as a god, to the suffering man it says only, ‘
URSULA K. LE GUIN

Amies Arrogant Factory Good Irrelevant Leader Music None Point State World
Before the moon I am, what a woman is, a woman of power, a woman’s power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon.
URSULA K. LE GUIN

Deeper Isaknd Making Moon Older Power Root Tree Woman
Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.
URSULA K. LE GUIN

Fantasy Height Realistic Reality Surrealistic Traditional
First sentences are doors to worlds.
URSULA K. LE GUIN

First Sentence World
Love doesn’t just sit there, like a stone; it has to be made, like bread, remade all the time, made new.
URSULA K. LE GUIN

Bread Just Love Made New Remade Sit Stone Time
If you deny any affinity with another person or kind of person, if you declare it to be wholly different from yourself.
URSULA K. LE GUIN

Affinity Another Declare Deny Different Person Yourself
Odonianism is anarchism. Not the bomb-in-the-pocket stuff, which is terrorism, whatever name it tries to dignify itself with, not the social-Darwinist economic ‘libertarianism’ of the far right; but anarchism, as prefigured in early.
URSULA K. LE GUIN

Anarchism Bomb Darwinist Economic Itself Liberal Name Odonianism Pocket Social Stuff Terrorism Tries
The question is always the same with a dragon: will he talk with you or will he eat you?
URSULA K. LE GUIN

Always Dragon Eat Question Same Talk Will
If you evade suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.
URSULA K. LE GUIN

Chance Come Evade Fulfill Home Joy May Pleasure Suffer
We live in capitalism, its power seems inescapable – but then, so did the divine right of kings.
URSULA K. LE GUIN

Capitalism Inescapable King Live Power Right Seem
We will not know our own injustice if we cannot imagine justice. We will not be free if we do not imagine freedom.
URSULA K. LE GUIN

Freedom Imagine Injustice Knew Live
A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart.
URSULA K. LE GUIN

Burson Capacity Child Competition Do Doing Economic Free Grow Guilt Joy Need Ownership Will

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.

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Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.

Related Topics

Popular Authors

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