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Reading is performance. The reader–the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk–performs the work.

Ursula K. Le Guin

I doubt that the imagination can be suppressed. If you truly eradicated it in a child, he would grow up to be an eggplant.
URSULA K. LE GUIN

Child Doubt Eggplant Eradicated Grow Imagination Suppressed
It’s a rare gift, to know where you need to be, before you’ve been to all the places you don’t need to be.
URSULA K. LE GUIN

All Before Know Need Place Rare
Resistance and change often begin in art, and very often in our art – the art of words.
URSULA K. LE GUIN

Art Being Often Resistance Change Word
Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
URSULA K. LE GUIN

Darkness Death Hand Join Left Life Light Lover Lying Right Together Two
The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skilful maker, of anyone doing needed work and doing it well, – this durable joy is perhaps the deepest source of human affection and of sociality as a whole.
URSULA K. LE GUIN

Affection Anyone Deep Delight Hunter Meed Mother Nurse Socialist Source Successful Whole
I can give back to the world all that I didn’t do. All that I might have been and couldn’t be. All the choices I didn’t make. All the things I lost and spent and wasted. I can give them back to the world.
URSULA K. LE GUIN

Back Choice Give Lost Thing Waste World
If you evade suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.
URSULA K. LE GUIN

Chance Come Evade Fulfill Home Joy May Pleasure Suffer
Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.
URSULA K. LE GUIN

Fantasy Feel Fiction Inanity Naturalistic Nearest Poetry Safe Wilderness
f we can get feminine and human morality out from under the yoke of a dead ethic, then maybe we’ll begin to get somewhere on the road that leads to survival.
URSULA K. LE GUIN

Begin Feminine Morality Road Somewhere Survival Yoke
Men call women faithless, changeable, and though they say it in jealousy of their own ever-threatened sexual honor, there is some truth in it.
URSULA K. LE GUIN

Call Chnagebale Ever Faithless Honor Jealous Men Sexual Some Threatened Through Truth Women
Every group we belong to – by gender, sex, race, religion, age – is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.
URSULA K. LE GUIN

Age Future Gender Group Humanity Immense Next People Race Religion Surrounded World
The road goes upward towards the light; but the laden traveler may never reach the end of it.
URSULA K. LE GUIN

End Goes Light never Reach Road Towards Traveler Upward
Absolute freedom is absolute responsibility.
URSULA K. LE GUIN

Absolute Freedom Responsibility
I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.
URSULA K. LE GUIN

Alternative Come Fear Hard See Society Stricken Think Through Time Voice Want Will Writer
To be oneself is a rare thing, and a great one.
URSULA K. LE GUIN

Arre Great One Oneself Thing
No darkness lasts forever. And even there, there are stars.
URSULA K. LE GUIN

Darkness Forever Last Star

Reading is performance. The reader–the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk–performs the work.

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Reading is performance. The reader–the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk–performs the work.

Related Topics

Popular Authors

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