There’s a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.
URSULA K. LE GUINWhat is the use trying to describe the flowing of a river at any one moment, and then at the next moment, and then at the next, and the next, and the next? You wear out. You say: There is a great river, and it flows through this land, and we have named it History.
More Ursula K. Le Guin Quotes
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We will not know our own injustice if we cannot imagine justice. We will not be free if we do not imagine freedom.
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We need to be taught these skills; we need guides to show us how. If we don’t, our lives get made up for us by other people .
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Resistance and change often begin in art, and very often in our art – the art of words.
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Hardly anybody ever writes anything nice about introverts. Extroverts rule. This is rather odd when you realise that about nineteen writers out of twenty are introverts.
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To the lives that haven’t been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.
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When the genuine myth rises into consciousness, that is always its message. You must change your life.
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What good is music? None … and that is the point. To the world and its states and armies and factories and Leaders, music says, ‘You are irrelevant’; and, arrogant and gentle as a god, to the suffering man it says only, ‘
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In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it’s not poison; and we will all come to the end together, and even to the beginning: living, as we do, in the middle.
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f we can get feminine and human morality out from under the yoke of a dead ethic, then maybe we’ll begin to get somewhere on the road that leads to survival.
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We cannot demand that anyone try to attain justice and freedom who has not had a chance to imagine them as attainable.
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To hear, one must be silent.
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Life goes on, even if two-headed and glowing faintly in the dark.
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Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.
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Success is somebody else’s failure.
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If you deny any affinity with another person or kind of person, if you declare it to be wholly different from yourself.
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